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Special Coverage: Ig Nobel
Prizes
Libretto: "The Seedy
Opera"
A mini-opera in 4 acts, based
on the legend of Richard Seed.
Words by Marc Abrahams and Don Kater
libretto (c) copyright 1999
Annals of Improbable
Research (www.improbable.com)
Personnae Self-Importante
Opera Director : Margot
Button
Opera Producers:Margot Button and Marc
Abrahams
Lyrics: Marc Abrahams and Don Kater
Musical Adaptation: Margot Button, Greg
Neal
The Original Cast
Richard Seed: Matthew Campbell
Related Gentlemen: Elliot Burke, Jason Karn,
Matthew Lena
Mother of All Mothers: Margot Button
Cloned Sheep: Nobel Laureates Sheldon Glashow,
Dudley Herschbach, William Lipscomb, Robert Wilson, et
al.
The Lovely Maidens: Gina Beck, Margot Button,
Patricia Doyle, Andrea Loretz, Rachael Olsen, Jane
Tankersley
Pianist: Greg Neal
Narrator: Lisa Mullins
ACT 1
NARRATOR: Legend has it that in the hills of Chicago,
there dwelled a brilliant, lonely shepherd named Richard
Seed. One day, he made a scientific breakthrough -- he
discovered how to clone sheep. Join us now, as Richard Seed
contemplates his sheep, and yearns for companionship.
[There are five RICHARD SEEDS, only one of whom is on
stage at the start. The five have easily distinguished
voices, and are of different heights. They all wear
identical Richard Seed half-masks. Each wears a Pavarottian
tux and scarf, and carries a shepherd's staff. RICHARD SEEDS
#2, #3, #4, and #5 each has something on which the cloning
has gone a little off -- some fur, an extra head, a fin,
etc.]
[The CLONED SHEEP are played by NOBEL LAUREATES. They
all wear fleeces on their backs and heads.]
[NOTE: in the printed program, list the five SEED
singers' character names as JOHHNY, RONNIE, DONNIE, LONNIE
AND DON GIOVANNI.
[Music: "O Sole Mio"]
I made some new sheep
Didn't need a ewe-sheep
In the world of science
I have joined the giants [sheep bleat with
pride]
Were I a glutton
I could feast on mutton [sheep bleat in
protest]
But it's not worth it for a few bytes of
RAM
[sheep bleat "Ra-a-a-a-am" in reaction
to the pun]
O solo me-oh!
Oh, lonesome me!
Although a genius
I well may be,
For a genius
It's ignomeenious
To have these stupid sheep for company
No stimulation
From their conversation
It's so defeating
All I get is bleating [sheep bleat]
[he gets an idea]
[spoken:] However-------
[sung:]
I'd not be lonesome
Not if I could clone some
Completely perfect humans just like me
No solo me-oh.
[#2 appears] Why not a duo?
[#3 appears] Perhaps a trio!
[#4 appears] Hey, why not four?
[#5 appears] But with five
We'd really thrive!
(SEED acts as if to go on, but the others restrain
him)
SEED: Don't stop me now,
Let there be more and more......
(he tries to continue singing but they attempt to
shut him up)
and more and more and more......(fades
out)
(They drag him offstage, still singing)
ACT 2
NARRATOR: It was quite an accomplishment for Richard Seed
to clone all those sheep, and then to clone himself, too. Of
course all this made his mother VERY proud. Join us now as
his mother beams with joy while Richard tries to get some
sleep.
[The Five RICHARD SEEDS lie down on the stage, all
restlessly trying -- and failing -- to fall asleep while
their MOTHER kisses them, pinches their cheeks, then breaks
into exuberant song. Additional RICHARD SEEDS keep wandering
in and lying down on the stage.]
[Music: "Ombra Leggiera" (the shadow song) from
Meyerbeer's "Dinorah."
[The words shown here should be sung slowly. The
trills that comprise the remainder of the piece should then
be more sprightly.]
MOTHER: My son is almost perfect.
He is very much
Like every other mother's son.
Compared to others, though,
My son is better
By a ratio of five to one.
No other mother
With immaculate conceptions
Ever had more than just one.
La la la la la la! La la la la la! La la la la
la la la la!
[She trills loudly and proudly at each of her sons. Then,
one by one, the SHEEP come on stage..
They leap over the five RICHARD SEEDS.
Then they sing "bahhhh" responses to the mother's
trills.
Then the sheep attempt to frolic with the Richard
Seeds, who attempt to go to sleep despite both the sheep and
the mother's trilling.
The two word phrase that sometimes occurs in the
Mother's trilling phase should be simply "My son!" ]
ACT 3
NARRATOR: In far-off New Zealand, a young maiden has
heard the news -- that in Chicago there are some identical
-- and thus very valuable -- sheep. The maiden and her
sisters decide to go steal the sheep, get rich -- and THEN
do something about their abysmal love lives. Let's listen to
their maidenly thoughts.
[The five MAIDEN SISTERS all wear identical Madonna
half-masks. Only two of them actually sing here.]
[Two large portraits hang somewhere. One, a picture
of Madonna, is captioned "Our Sainted Mom." The other, a
picture of Jesse Ventura, is captioned "Our Sainted Dad."]
[Music: "Viens, Mallika" (The Flower Duet) from Delibes's
"Lakme".
NOTE: This skips the first line of the original
music.]
MAIDEN #1: Come, my sisters!
Come, let us go steal those famous
sheep.
Then when we're rich,
We will trade them in for something
better
with which we-ee can sleep.
MAIDENS 1&2: I want a guy
Just like the guy
Like the perfect gentleman -- the
splendid man --
who married dear old mom.
One of a kind...
The perfect find...
Better than the best I ever saw
when I was just a peeping
Tom.
He's --- absolutely --- u-unique!
He's -- what I seek! Great
physique!
I know that he is unlike any other.
And maybe he's got a little
brother.
And, undoubtedly,
I'll bet that he
Has a quiet, humble mother, too.
Come, let us go!
Yes, now we know:
Loo-ove dema-aa-aands -- that
we-ee-ee-ee steal shee-eep.
ACT 4
NARRATOR: The five maidens have journeyed to Chicago in
search of sheep and love. Join us now as they find the
cloned sheep, meet the many Richard Seeds, and fall in love
-- though in a most unexpected, delightful, and profitable
way.
[Music: from "Carl Orff's "Carmina Burana." Note that we
have one more verse than is in the original music.]
[All the MAIDENS and all the SHEEP are on stage. The
RICHARD SEEDS stay off stage until the final stanzas.]
MAIDENS: Where are those sheep?
THERE are those sheep!
Oh my, don't they look splendid!
Look at that wool --
It's beautiful.
Looks like our search is ended.
Each lovely fleece
A masterpiece.
Our fortune will be made now.
We can't resist;
They must be kissed
Come here, don't be afraid now
[The music pauses.]
[The MAIDENS kiss the SHEEP, who throw off their
fleeces and stand up to reveal themselves as lab-coated
handsome SCIENTISTS.]
MAIDEN #1 [spoken]: Oh! Oh, my! You stupid sheep have
turned into handsome scientists!
BELWETHER SHEEP/SCIENTIST [spoken, slowly]: Well, of
course. Why are you surprised? Have you ever kissed a sheep
that *** DIDN'T *** turn into a handsome scientist?
MAIDEN #1 [spoken]: I'd prefer not to discuss that.
[The music resumes.]
MAIDEN #1: My, what a change.
That was a strange
Genome re-combination.
MAIDEN #2: And, I must say,
A clever way
To do exfoliation!
MAIDEN #1: So this is love.
Kinda sort of
Not what I had expected.
MAIDEN #2: I recommend:
Get your boyfriend
USDA inspected.
MAIDEN #2: So come, sweetheart,
And let us start
To form a corporation;
A business which
Will make us rich
From human replication.
MAIDENS AND SHEEP:
Here's what we'll do --
We'll sell them to
Armies of every nation.
No need to draft,
With armies staffed
By clones of our creation.
[During the next, final, verse, zillions of the RICHARD
SEEDS enter in grand style. All the SEEDS are singing the
final verse of O Solo Me-oh, their lines interspersed with
what the maidens are singing.]
When there's a war
We'll just make more.
How many will you nee-eed?
We will provide
To either side
As many copies as they want of Richard
Seed.
Libretto (c) copyright 1999 Annals
of Improbable Research
(www.improbable.com)
You have permission to download and print this for your
personal, non-commercial use. Sing it at your own peril.
And please subscribe to the Annals
of Improbable Research!
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