Motorcycles, Music, and a ‘Miracle’ Drug: Which Oliver Sacks Book Should We Read for the SciFri Book Club?

The SciFri Book Club celebrates the literary legacy of Oliver Sacks by reading one of his modern classics. Help us pick it!

This past August saw the passing of a great doctor—and a peerless writer—Oliver Sacks. This winter, the SciFri Book Club celebrates Dr. Sack’s literary legacy by dipping into his oeuvre of modern classics. But which book we read is up to you to decide.

Cast your vote below for the SciFri Book Club’s next book. The poll closes on December 24th at noon, and we’ll announce the winner in January.

Which Oliver Sacks book should the SciFri Book Club read?

Image courtesy of Vintage
Image courtesy of Vintage

Option 1: Awakenings (1973)
Awakenings came,” Sacks wrote, “from the most intense medical and human involvement I have ever known.” The second of Sacks’ many books, Awakenings chronicles his experience as a young doctor treating victims of “sleeping sickness” at a Bronx hospital with what was then a new “miracle” drug: L-Dopa. In a series of moving, humane case studies, Sacks describes how patients who had been unresponsive and motionless for decades “awakened” with the drug—in ways miraculous, confounding, and sometimes disturbing. But Awakenings is more than a medical story. As Sacks later reflected, he “took off in all directions” to make literary sense of what he was witnessing at Beth Abraham Hospital, embracing “allegory, philosophy, poetry, you name it” to bring the tale to life.

Sneak peek: “Mrs. B was now able to hold a pencil in her right hand, and to make a first entry in her diary: ‘It is twenty years since I have written. I’m afraid I have almost forgotten how to write my name.’”

Image courtesy of Knopf
Image courtesy of Knopf

Option 2: On the Move (2015)
For years, we at Science Friday knew Oliver Sacks the doctor, writer, and cephalopod enthusiast. With this year’s On the Move, we got to meet Oliver Sacks the motorcyclist, weightlifter, son, lover, traveler, addict, and all-around Renaissance man. Here Sacks tells the story of his own life, from early adulthood to old age. What’s immediately clear is that personal life and science were never separate for Sacks. The same feelings of shame and confusion he felt growing up with a schizophrenic brother helped motivate him to plumb the secrets of the brain. The same enthusiasm he brought to understanding migraine, he brought to marathon motorcycle rides and backbreaking weight-lifting challenges. In the book, Sacks quotes a “perceptive” former schoolmaster: “Sacks will go far, if he does not go too far.” In On the Move, Sacks tells the story of walking that line.

Sneak peek: “I would ride back [from the Grand Canyon] to Los Angeles on Sunday night and, with the resilience of youth, appear bright and fresh at neurology rounds at eight o’clock on Monday morning, with hardly a sign that I had ridden a thousand miles over the weekend.”

Image courtesy of Vintage
Image courtesy of Vintage

Option 3: Musicophilia (2007)
“Though I was born into a musical household,” Sacks writes in Musicophilia, “I did not really encounter music in a clinical context until 1966.” That was the year Sacks witnessed music therapist Kitty Styles make several of his post-encephalitic Awakenings patients dance and sing—with the power of music. In Musicophilia, Sacks follows up on that initial curiosity about the brain’s musical mysteries. Case studies include the tale of a man who can only remember the last seven seconds—unless he’s playing piano; the story of a surgeon who survives a lightning strike only to develop a sudden obsession with Chopin; and a “vision” of music through the eyes of a synesthete. (And in case you’re wondering what Sacks is rocking out to on the cover, it’s Beethoven’s Pathétique Sonata.)

Sneak peek: “He particularly liked Mozart and Vivaldi as a boy, above all for their use of keys, which, he says, was ‘pure, narrow…they used a simpler palette.’”

Meet the Writer

About Annie Minoff

Annie Minoff is a producer for The Journal from Gimlet Media and the Wall Street Journal, and a former co-host and producer of Undiscovered. She also plays the banjo.

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